John Shade's "Pale Fire" opens with an extraordinary series of images whose initial impact lingers in the mind as it expands in implication throughout the poem:
I was the shadow of the waxwing slain
By the false azure in the windowpane;
I was the smudge of ashen fluff--and I
Lived on, flew on, in the reflected sky.
As we learn more about Shade's lifelong attempt to understand a world where life is surrounded by death, we realize the full resonance of these opening lines: that he is projecting himself in imagination into the waxwing, as if it were somehow still flying beyond death, and into the reflected azure of the window, as if that were the cloudlessness of some hereafter, even as he stands looking at "the smudge of ashen fluff" of the dead bird's little body... more
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